IPELS Panel Provides Insightful Perspective of Entertainment Industry

On February 11, four seasoned entertainment professionals gathered at the Intellectual Property and Entertainment Law Society (IPELS) Entertainment Law 360 panel to share their experiences in the field.

IPELS President Jennifer Brown, who plans to become an entertainment lawyer, organized the panel as a joint event for Regent Law and School of Communication and the Arts students.

Sylvia Hutson, Derek Leonidoff, Jennifer Brown, Lou Isakoff, Mark Paladini

“I wanted to host an event that would educate others about the intricacies of the industry and what to expect when going into this field,” she says. “By inviting Regent Law and Communications students, I hope to begin a professional relationship between the two schools.”

The panel included local Talent Agent Sylvia Hutson of Hutson Talent Agency, Regent University and CBN General Counsel Lou Isakoff, Esq., Actor Derek Leonidoff, and Director, Producer, and Regent University School of Communication Professional-in-Residence Mark Paladini. The panelists encouraged students to work hard and work late, take risks, be creative, and be wary of unethical practices.

Attorney Lou Isakoff advised future entertainment lawyers that backgrounds in business law, labor law, international law, and accounting are extremely helpful. Overall, he says experience is the ideal training ground.

With more than 30 years of industry experience, Hutson cautioned students to be wary of “shady” practices. She described her experience with a talent school that invited her to critique students. When she asked to review the video of performances, she learned the company only pretended to record their clients. Huston says similar practices occur regularly, but there are no laws in place to protect aspiring actors.

Professor Paladini offered advice applicable to anyone who has ambitious professional dreams. He remarked that working long hours and doing grunt work are merely a rite of passage to success. His casting credits, which include well-known movies such as The Mask and Mortal Kombat, are a testament to his advice.

Actor Derek Leonidoff used humorous stories to encourage students that creativity opens doors of opportunity. He recounted his three attempts at establishing a relationship with an agent in California. After two rejections, he created an Easter basket that included toys for her dog, his photo, and his reel. He received a call from her, which initiated a relationship that has lasted about two decades.

Student feedback regarding the event has been strong. Brown, a third-year law student, hopes the events marks continued collaboration between Regent Law and the School of Communication.

Click here to view a video of the 360 Panel.

Beloved Pixar Actor Visits Campus

By Amanda Morad | February 11, 2014

John Ratzenberger
Photo by Tim Kay

He's known more classically for his role as Cliff Clavin, the know-it-all mailman from the television sitcom, Cheers. But in the last two decades, John Ratzenberger has lent his voice to every Pixar film since Toy Story in 1995.

On Wednesday, Feb. 5, Ratzenberger visited Regent University's School of Communication & the Arts and talked to students about show business, Hollywood and faith.

"Hollywood sets the beat for culture and customs," he explained. "And Washington marches to that beat. People who give millions to politicians should be giving it to production companies in Hollywood, because that's where the messaging comes from."

Ratzenberger has been named the sixth most successful actor of all time based on his box office sales. His advice was taken to heart by student actors, writers, directors and producers—Ratzenberger has done it all. He started the improvisational comedy group, "Sal's Meat Market," in Bridgeport, Conn., while a student at Sacred Heart University, and made his way to the Golden Coast by the late 70s. He recognized the value of making relationships in the early days.

"The most important thing you're doing here is building a network," he said. "Because the people you're training with are coming up with you. Dig into each other's projects. Don't think you're going to start the hard work later after graduation. It's now."

For the actors in particular, he gave sound advice for being a person that people want to work with. "When you're in it for the long haul, you're not thinking about resumes," he explained. "You're thinking about whether you want to spend every single day with that person for months. Is this somebody I want to spend time with? That's the question everybody's asking."

Equally important for everyone was Ratzenberger's advice about set and meeting etiquette: "Never show up on time. If you're on time, you're late. I can't stress that enough. Show up at least 20 minutes early—everywhere. Nobody wants to hear your excuses."

Ratzenberger wore his Cliff Clavin-esque humor on his sleeve, entertaining a full Studio Theatre with stories from different sets, making up the character of Cliff in the audition room, and even defending his Christian faith to those who don't share it.

"I come at it from a history perspective," he explained. "I kindly remind people that Christians are responsible for the university system and most of Western civilization. That usually shuts 'em up."

Tempering the light-hearted with the heart-felt, Ratzenberger reminded students of what's really important. "You can only be a celebrity for your generation," he said. "If you put your whole heart and soul into this business, it's not going to love you back. Show business does not love you back.

"Your agent won't be next to you when you're breathing your last. It'll be your family, the people who love you. All the fun stuff eventually runs out, but family's what matters."

He took questions from students and faculty, with a brief discussion on faith-based film.

"There's not a lot of money involved in faith-based films and that's a problem, " he said. "Before the 60s, all films were faith-based. Good always won. Then drugs and Easy Rider came along and people found it made money. That's how we got where we are today. We're confused, and we need a clear view of the stories we're telling and the influence they have on us."

With that, he challenged students to make the jump. "We need more Christians in Hollywood. In New York. Chicago," he said. "This business needs you."

As a former ship deckhand and carpenter, Ratzenberger is also a spokesperson for the American manufacturing crisis. His new series, American Made is an offshoot of the Made in America TV documentary series he produced and hosted for the Travel Channel in 2004. It debuts in September.

Theatre Professor's House is Featured in a Commercial during the Super Bowl.

Did you see the Super Bowl this past Sunday?  You may not have been avidly watching the game, but one of the commercials may have caught your eye.  For those of us who know Theatre professor, Eric Harrell, it is no surprise that he and his wife Holly's beautiful home starred in a Priority Automotive commercial.  Here it is for your viewing pleasure: Priority Automotive Homecoming Commercial.

The Show Must Go On!

Last week, Virginia Beach got hit by what Regent students are fondly referring to as "The Snow-pocalypse of 2014."  The school closed for two days and much frolicking in the fluffy white flakes ensued, but even the snow couldn't stop our avid theatre-goers from risking life and limb to see William Nicholson's Shadowlands.

One might think that, with the University closed, many patrons would want to stay indoors and not risk the roads and freezing temperatures to see a lesser-known play (let's face it, we're a beach town), but as usual, our patrons surprised us in the best possible way.  According to the house manager, Sarah Grice, 132 patrons filled the seats in the Studio Theater on Thursday . . . far more than expected or anticipated.  "At one point, we were so busy that a fellow off-duty house manager who was seeing the show that night got up and helped seat patrons" said Sarah.

Upon leaving the theater, patrons were noticeably touched by the brilliantly told story.  Brandy Caldwell, a Regent alumnus who was visiting from New York for the express purpose of seeing the show, had tickets for both the Thursday and Friday night performances.  After seeing it for the second time on Friday she shared "I'm so glad I was able to see it twice.  There is so much loveliness to take in; you just don't notice it all the first time."

Special thanks to Dr. Michael Kirkland for his time and effort and to Dr. Robertson for making special provision for the show to go on!

Regent during Leon.  Photo credit: Josiah Blizzard.

Regent Alumni Form New Chicago-based Theatre Company.

Honest Theatre is made up of a group of 14 Regent University graduates working to tell great stories in Chicagoland. Artistic Director, Sean Cowan, states: "Honest Theatre believes in real, heart-felt communication and seeks to welcome and showcase truth in all its many sizes and shapes." From deep and moving to quick and lighthearted, Honest Theatre believes that if a story either displays or invokes truth, it is worth sharing with others. 

For their first season, Honest Theatre is implementing a pay-what-you-can policy for anyone interested in seeing a show as it is their belief that good art should be accessible to everyone.  "Regardless of where you are in life, we would love to share with you. So come. Join us. And let's be honest."

Honest Theatre's first public fundraiser is slated for the 22nd of February. It will be held at The Glenwood in Rogers Park. Visit Honest Theatre's website for more information: www.honesttheatre.com.  Members include: Sean Cowan (Artistic Director), Ashley Manning-O'Dell (Managing Director), Britain Willcock (Technical Director), Sharon Biermann, Rebekah Bortot, Zachary Bortot, Diana Coates, Jared O'Dell, Kelly Helgeson, Tory Helgeson, Adam Eugene Hurst, Priscilla Hummel, Kelly Levander, and Whitney Rappana.

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Registration is Open for the 11th Annual Virginia Beach Bash.

What is the Virginia Beach Bash?

 Regent University Department of Theatre Arts is proud to host the Society of American Fight Directors (SAFD) sanctioned Regional Workshop. This event has become known as the "Virginia Beach Bash."

"The Virginia Beach Bash" features nationally and internationally recognized experts in the art and craft of teaching and staging combat for the stage and screen as well as techniques for capturing and editing action for TV and film. This workshop is geared primarily to those who have an interest in historical and cultural martial arts forms and techniques as adjusted for performance. The workshop appeals most to actors, directors, fight directors, stunt performers, filmmakers (e.g. directors, editors, post production), Renaissance Fair actors and historical event re-enactors.


Classes are offered at the beginning, intermediate and advanced levels and include instruction in a wide spectrum of styles and weaponry from both Western and Asian cultures as well as opportunities to produce, film and edit action sequences. Students interested in filmmaking will receive instruction and have the opportunity to film action, coordinate with a director and stunt coordinator.

Save the Date!

Saturday and Sunday
March 29-30, 2014
at Regent University,
Virginia Beach, Va.


Visit the BASH Website today and save money by registering before Friday, March 1st!

Congrats to Michael Woods (MFA Acting Alum '08) on another spot with BMO Harris Bank!

Congratulations to our Fall Irene Ryan Nominees!

Steel Magnolias

Beth Litwak (MFA Acting '14)

Sherrie Peterson (MFA Acting '15)

The Comedy of Errors 

 Justin Winters (MFA Acting '14).

Adam James Hamilton (MFA Acting '14)

Bus Stop

Eric LaVoie (Left, MFA Acting '14)

Austin Fitzhugh (MFA Acting '15)

See MFA Acting Alum Dan Roberts ('07) in Sleepy Hollow!

To see more of Dan's work, visit his website: www.danieljroberts.net. 

MFA Alums band together to support Tidewater Stage.

to those who have made our inaugural season possible!

Founding Partners - $1,000+

John and Susan Bookless

Bruce and Diane Clark

Bob and Sam Kukich

Mitch and Lea Land
Aubrey and Angela Loving
Robert and Sandy May
Jeff and Lisa O'Dell
Bill and Michelle Young

Producers - $500

Eric and Holly Harrell
Don and Nancy McNeeley
Woodrow W. Wagner, Jr.
George and Cherie Walton

MFA Class of 2006: Kendal Tuttle, Jill Wilson, Lisa Gregg, Anita Reimer, Chris Nelson, Todd Metzker, Lynn Richards, Frank Hargreaves, Nicole Furneisen

Directors - $250

Alan Baumann & Leah Henry
Robert and Nan Beck
Robert and Marie Deegan
Joseph and Mary Kassar
Melinda Marven
Pete and Louise Pearson
Kendal and Bree Tuttle

MFA Class of 2012: Zach Bortot, Diana Coates, Micaela DeLauro, Amy Dunlap, Nathanael Fisher, Jeff Fazakerley, Madeline Ranson, Whitney Rappana, Michael Salsbury, Britain Willcock

MFA Class of 2010: Robert Arbaugh, Bradley Archer, Stephanie Chandler, Shinn-Rong Chung, Ryan Clemens, Kaja Dunn, Katie Fridsma, Anna Koehler, Chad Rasor, Alaska Vance, Katie Wasserman, Matthew Winning

Stars - $100

Martin and Bonnie Betz
Melissa Fuquay
Alex Kordis
Curtis Mackenzie and Diane Stewart-Mackenzie
Sidney and Ruth Martin
Derek and Jennifer Martin
Chris Nelson
Judy Paschall
Roger and Brenda Pence
Anita Reimer
Sandra Simpson

MFA Class of 2011: Sean Cowan, Tiffany Cotton, Sharon Eyster, Andy Geffken, Chad Gilliland, Gene Gray, Hannah Graham, Joseph Martinez, Nathan Schmidt, Tabitha Strong

MFA Class of 2008: Justin Glinn, Kelly Helgeson, Jennifer Martin, Josh Nicholson, Matthew Scott, Claire Slavovsky, Michael Woods, Jeff Dull

Join us by becoming a donor today!

Gifts to Tidewater Stage can be made online by clicking here. Gifts of $100 or more can be scheduled in multiple installments. If you wish to contribute through the mail, please make checks payable to "Regent University" and note "Tidewater Stage" in the memo line. Donations can be mailed to:

Tidewater Stage at Regent University
1000 Regent University Dr. – COM 221
Virginia Beach, VA 23464

Thank you for your support of Tidewater Stage.



Congratulations to Brad Brinkley and Tim Stanlake!

Congratulations to Brad Brinkley and Tim Stanlake, Irene Ryan Nominees for Gillette Elvgren's Everywoman!

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Announcing the 2013 Tidewater Stage Acting Company!

General auditions for the inaugural season of Tidewater Stage, the professional theatre company of Regent University, were held on April 6 with callbacks on April 13. There was an impressive representation of talent from across Hampton Roads including a mix of local professionals and Regent faculty, students and alumni. We’re pleased to announce the following actors have been cast in the acting company for our inaugural season. Congratulations to all!

Directed by Eric Harrell

 July 5-7 and 11-13

Frankie: Christopher Graham

Smudge: Garney Johnson

Sparky: Derek Leonidoff

Jinx: Andrew Wilson

Directed by Scott Hayes
August 2-4 and 9-11

Corrie Bratter: Lynn Kenny

Paul Bratter: Eric Harrell*

Mrs. Banks: C.J. Hill*

Velasco: Michael Kirkland*

Telephone Man: Will Burby

Delivery Man: Gillette Elvgren

* Members of Actors Equity Association, the national union for stage actors.

For production information, and to purchase tickets online, visit www.regent.edu/tidewaterstage



Fiddler Comes to the Regent Stage

By: Amanda Morad

April 18, 2013

One of the most riveting musicals to ever grace Broadway is coming to the Regent University stage Friday, April 19.

Fiddler on the Roof has maintained popularity throughout the years for its music, themes, and brilliant portrayal of Jewish culture. But director and professional-in-residence Mark Paladini has gone the extra mile to ensure cultural authenticity for the Regent production.

"When my family first came to Virginia Beach from Hollywood in 2005, one of my best friends in L.A. connected us with his cousin, Alene Jo Kaufman, director of the Strelitz Early Childhood Center, a division of the Hebrew Academy of Tidewater," Paladini explained. "She has been our Jewish Culture Advisor for several plays we've produced and has outdone herself on this one."

Paladini's collaboration with Kaufman was inspired by their friendship, and eventually resulted in Kaufman's consultation during rehearsals and her contribution of several key props and costume pieces that have added realism to the details of the show. "This production is a success due to Alene Jo Kaufman's commitment to share the wealth of her knowledge with others," Paladini said. "She has been an inspiration to us all."

Fiddler on the Roof runs April 19-21 and April 26-28, with shows at 7:30 p.m. each night and 2:30 p.m. on Sundays. Purchase tickets through the Box Office.

Through such unforgettable songs as "If I Were a Rich Man" and "Sunrise, Sunset," Fiddler's main character, Tevye, teaches his five daughters about the enduring bonds of faith, family and tradition. As declared by Broadway.com, "No other musical has so magically woven music, dance, poignancy and laughter into such an electrifying and unforgettable experience."

The show is based on the Sholem Aleichem story Tevye and his Daughters, with the book written by Joseph Stein, music by Jerry Bock and lyrics by Sheldon Harnick. The original New York Stage production was directed and choreographed by Jerome Robbins.

Purchase tickets through the Box Office.

PR/NEWS CONTACT:
Mindy Hughes, Public Relations
Phone: 757.352.4095 Fax: 757.352.4888
E-mail: mhughes@regent.edu

Professional Theatre Comes to Regent Summer 2013

By Amanda Morad

March 26, 2013

Regent University's School of Communication & the Arts (SCA) has announced the inaugural season of Tidewater Stage, a new professional theatre company in residence, beginning July 2013.

With the only MFA training program for actors at a Christian university, the addition of Tidewater Stage reflects a commitment to best practices in theatre education and opens doors for professional opportunities to students during their residency.

For graduate actors, a professional theatre serves as a training laboratory where students gain valuable experiences performing alongside professional actors in the industry. The model exists at most graduate institutions offering MFA actor training and ushers in a new era of national recognition for Regent's acclaimed graduate program in theatre.

"This initiative reflects a deeply held value among theatre faculty and SCA leadership, as well as peer institutions across the country, that a graduate education in theatre is significantly enriched through a partnership with a professional theatre company," said Eric Harrell, producing artistic director for the new company. "Tidewater Stage has been part of a decade-long strategic plan for the theatre program, and it's thrilling to see it finally come to fruition."

Tidewater Stage productions will differ from the academic season by reflecting the highest standards of professional, regional theatre. This summer's company will feature the talents of select MFA actors, alumni, local professionals, current faculty and staff who are members of the Actors Equity Association (the national union for stage actors) and a guest scenic designer from Washington, D.C. As a professional theatre, all company members will be compensated.

For the inaugural season, Tidewater Stage will present Forever Plaid July 5-7 and 12-14, and Barefoot in the Park Aug. 2-4 and 9-11. "You would be hard pressed to find two more endearing pieces to celebrate our first summer of professional theatre production. When it comes to laughs, these shows deliver," said Scott Hayes, chair of Regent's theatre department.

Forever Plaid is a "deliciously fun" 1950s musical revue that centers on four young, eager male singers killed in a car crash on the way to their first big concert, and are now revived for the posthumous chance to fulfill their dreams and perform the show that never was. In the tradition of musical groups like The Four Freshmen and The Four Aces, "The Plaids" revive such favorites as "Three Coins in the Fountain," "Sixteen Tons," and "Chain Gang."

Barefoot in the Park carries the light summer tone with a comedic look at newlywed life and the unexpected differences couples often find as they begin to experience life—and in-laws—together.

Auditions for roles in both productions are open to all local actors. Auditions will be held in Regent's Performing Arts Center on April 6.

"Not only are our students excited about this new era of professional theatre, many donors and local businesses have caught the vision and stepped forward to partner with us as season sponsors," Harrell added. "Other professional arts groups in town have graciously welcomed our new company to the stage and have even assisted us in promoting our inaugural season. There is a sense throughout the arts community that something significant is being birthed at Regent University."

PR/NEWS CONTACT:

Mindy Hughes, Public Relations

Phone: 757.352.4095 Fax: 757.352.4888

E-mail: mhughes@regent.edu

Theatre Arts Hosts Tenth Annual Virginia Beach Bash

By Brett Wilson

March 22, 2013

The stakes are always high for actors in the competitive world of onstage and onscreen performing. But add free-falling and being set on fire to the job description, and the pressure certainly doesn't fade to black.

On March 16-17, Regent University's Department of Theatre Arts hosted its tenth Virginia Beach Bash, the regionally sanctioned workshop by the Society of American Fight Directors (SAFD), held annually to help students of the theatre be en guarde for such stunts. Expert fight director, Richard Ryan, who has choreographed stunts and fights for famous films like Troy, The Dark Knight, and Sherlock Holmes, led the charge for the weekend-long combat event.

While the Virginia Beach Bash offered its classic courses on stunt training for high falls, harness stunts, firearms, and full-body burns, last weekend's event also allowed students to grab stunt opportunities by the wheel with its brand-new precision driving class.

Third year MFA in acting student, Ashley Dakin, was able to practice her favorite stunt—spinning a car 90 degrees—in the back lot of the Communication & Arts building with a professional driver during the class.

"I was nervous to try it, but it was so much fun once I did!" said Dakin.

This was the second time Dakin participated in the Virginia Beach Bash. She believes the knowledge she gains from these combat classes will help her become more marketable in her future pursuits as an actress.

"Something like this event allows me to connect with professionals in the industry and learn skills that could come in handy on a movie set," said Dakin.

Dakin was one of more than 70 Virginia Beach Bash participants, including Regent students and non-students traveling from as far as Canada and the United Kingdom.

While the intensive weekend guides actors through performing stunts onstage, it also offered courses on filming and editing action scenes, as well as how to incorporate sound into such acting sequences. Filmmakers who participated in this year's Virginia Beach Bash were able to receive guidance from professional directors, editors and sound designers.

"We have radically expanded what began as a stage combat only event into an impressive stage and screen combat event," said professor and resident fight-expert, Dr. Michael Hill-Kirkland, who founded and directs the program each year. "This year boasts the largest and most impressive staff we've ever had." According to Hill-Kirkland, this year's team consisted of 13 SAFD-certified teachers, including a former SWAT team instructor.

"Many of these classes would only be offered at stunt school, so it's nice to have this once-in-a-lifetime opportunity," said Dakin. "I don't know if I'll ever have the chance to take these kinds of classes again, especially with such well-known instructors."

PR/NEWS CONTACT:

Mindy Hughes, Public Relations

Phone: 757.352.4095 Fax: 757.352.4888

E-mail:

Diana Coates (MFA Acting 2012) gets rave reviews in Chicago production of Julius Caesar!



Diana Coates as Antony in Chicago-based Babes With Blades production of Julius Caesar.

 "Diana Coates is simply riveting as Antony, the slain Caeser's friend who delivers the famous speech ("Friends, Romans, countrymen") with repressed rage and disdain. It's a performance that makes me excited to see what's next for this articulate young artist."

http://www.choosechicago.com/blog/post/2013/03/An-All-Female-Julius-Caesar-Breathes-Life-into-A-Well-Worn-Classic-/629/

“All one really requires are performers who understand and convey the words put down from them, form their characters hearts to ours. Coates’s Anthony is one of the wiliest I’ve ever seen. For a soldier routinely dismissed as simple, Anthony takes great pride in the cunning with which she makes the people and patricians dance to her tune. Coates rage, tempered to steely revenge is terrifying to behold (in the best way possible) and we almost expect her to heavily tread heavily upon her enemies corpses whilst she sings their praises.”

http://www.chicagotheatrereview.com/2013/03/but-you-are-a-woman-brutus/

Announcing Tidewater Stage's Inaugural Season!

Announcing Our 2013 Inaugural Season

Writer, Original Director and Choreographer: Stuart Ross
Music and Lyrics: Various
Musical Continuity Supervision and Arrangements: James Raitt
Director: Eric Harrell
Rehearsal Dates: June 3-July 4, 2013
Performance Dates: July 5-7, 12-14 @ 7:30 pm and July 6-7, 13-14 @ 2:30 pm
Venue: Studio Theatre

Synopsis

Forever Plaid is one of the most popular and successful musicals of the contemporary theatre. This deliciously goofy revue centers on four young, eager male singers killed in a car crash in the 1950's on the way to their first big concert, and now miraculously revived for the posthumous chance to fulfill their dreams and perform the show that never was.

Singing in the closest of harmony, squabbling boyishly over the smallest intonations, and executing their charmingly outlandish choreography with over-zealous precision, the "Plaids" are a guaranteed smash, with a program of beloved songs and delightful patter that keeps audiences rolling in the aisles when they're not humming along to some of the great nostalgic pop hits of the 1950's including “Three Coins in the Fountain”,” Sixteen Tons”, “Chain Gang” and “Love is a Many Splendored Thing.”

Quotes

"Screamingly funny! Entirely enchanting, utterly entertaining, awesome!...will put a smile on your face, a hum in your throat and a tap to your feet." — New York Post

"Letter-perfect! Sweet, funny and thoroughly amusing." — The New York Times

"The laughter doesn't stop!... Delightful, original and funny!" — Associated Press

Available Roles

FRANCIS: The leader and caretaker of the group. Confident. Asthmatic. He has a great deal of compassion for the music and the group. Romantic crooner and spiritual singer. Male, 20-35 yrs old; Range: F3 - B5

JINX: The shy one. He lives his life terrified and doesn't always remember what song comes next. Sparky's step-brother, he occasionally gets a nosebleed when he sings above an A. Male, 20-35 yrs old; Range: F3 - C6

SMUDGE: The worrier. He worries about the props, the running order, and always assumes the audience won't like him. Has chronic nervous stomach and is oddly reluctant to perform. Wears glasses, which hides his good looks and sex appeal. Male, 20-35 yrs old; Range: F3 - G5

SPARKY: The clown of the group, who is shown to have a heart. Very sharp and loves singing his tailor-made solos. Wears a retainer and has a slight speech impediment. Energetic and clever. Male, 20-35 yrs old; Range: F3 - G5

Playwright: Neil Simon
Director: Scott Hayes
Rehearsal Dates: July 8-Aug. 1
Performance Dates: Aug. 2-4, 9-11 @ 7:30 pm and Aug. 3-4, 10-11 @ 2:30 pm
Venue: Studio Theatre

Synopsis

Paul and Corrie Bratter are newlyweds in every sense of the word. He's a straight-as-an-arrow lawyer and she's a free spirit always looking for the latest kick. Their new apartment is her most recent find - too expensive with bad plumbing and in need of a paint job. After a six day honeymoon, they get a surprise visit from Corie's loopy mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic Velasco, where everything that can go wrong, does. Paul just doesn't understand Corrie, as she sees it. He's too staid, too boring, and she just wants him to be a little more spontaneous - running "barefoot in the park" would be a start...

Quotes

“A bubbling, rib-tickling comedy.” — The New York Times

"Critic weeps joyfully...I don't think anybody stopped laughing while the curtain was up last evening." — New York Daily News

Available Roles

CORRIE BRATTER: A spontaneous free-spirit; newlywed married to straight-laced lawyer, Paul: Female, 25-35 yrs. old

DELIVERY MAN: Adult Male, age open

TELEPHONE REPAIR MAN: Adult Male, age open

The roles of Paul, Mrs. Banks and Velasco (tentative) have already been cast.

Additional Information

Auditions are tentatively scheduled for Saturday, April 6. Details will be posted by mid-March. Stipends are available for all roles. Additional technical and stage management positions are also available. Details will be posted in April.

Regent Students and Alum land Goodwill Commercial.

Congratulations to third-year MFA Acting students Ashley Dakin and Care Wilemon, and undergrad alumnus Jared O’Dell on their commercial with Goodwill! 

See both videos here:

http://www.youtube.com/watch?v=usCdJL_al04&list=PLckHDkws2jX7D5wQWbWZHjo2auDR49MhN 

Broadway Producer, Alumnus Visits Campus

By Amanda Morad

March 6, 2013

 

Bruce Long speaks to students at a
special chapel Thursday, Feb. 28.

What does it take to go from graduate student to Broadway producer? Regent University School of Communication & the Arts alumnus Bruce Long ('98) answered from personal experience at a special chapel on Thursday, Feb. 28.

"It requires an intense level of focus," he told students gathered in the Studio Theatre. "There is zero margin of error in your focus. It must be singular, and you must be completely confident in the call of God on your life."

Long's confidence has brought him through plenty of failures and successes to his current role as a producer on the new Broadway musical, Hands on a Hardbody. Opening at the Brooks Atkinson Theatre on March 21, the ensemble piece features a group of misfit Texans in an endurance competition for a new truck and a new lease on life. "They all aspire to something greater and this truck is the key," Long said. "It would be easy to make light of their comedic situations, but these characters are you and me. It's all of our stories."

Years before Hands on a Hardbody, Long and his wife Michelle met as theatre students at Regent and began the long, arduous journey to Broadway straight out of the gate. After living in New Jersey and working in New York for a year, they diverted to North Carolina where Michelle landed a teaching job at a private Christian school. At the time, they thought the Broadway dream was on hold indefinitely.

"Be open to the will of God," Long encouraged students. "The Bible happens in compressed time, so there's this expectation that when we're promised something, we get it on the next page.

"We seem to have this idea of IKEA Christianity: If I follow the instructions, the end result should be what I want. God should be obligated to do what we want Him to do. But He's incorrigible. The way and the time in which God fulfills his promise is His business."

Long acknowledged that tough skin is a basic requirement to participating in the theatre business. "There are so many moments you hear 'no' and if you just would have heard 'yes,' you know things would be so different," he said. Long used his wife's original musical, By Grace, as an example. The soaring musical tale of the events surrounding Grace Kelly's marriage to Rainier III, Prince of Monaco, has attracted interest, but hasn't gotten its "yes" yet.

Still, the Longs press on with other projects while they wait, developing relationships and knocking on as many doors as they can along the way—that's the life of any who pursue theatre, Long said.

He made sure to give students a down-to-earth snapshot of what life in theatre looks like: "97 percent of the time, you're not going to get what you want. It takes a toll, so you have to have that indivertible focus."

Long's wife joined him to close with a softer word of encouragement. "Those moments of failure are what shape you into who you are," she said. "God really does have your best interest in mind."

Learn more about the School of Communication & the Arts.

PR/NEWS CONTACT:
Mindy Hughes, Public Relations
Phone: 757.352.4095 Fax: 757.352.4888
E-mail: mhughes@regent.edu

Professor Updates Classic Morality Play



Tim Stanlake as "Death" and Beth Litwak as "Eve."

Photo courtesy of the School of Communication & the Arts



By Amanda Morad

February 21, 2013

 

Regent University's resident playwright, Gillette Elvgren, has again created a masterful play with his modern retelling of the classic morality tale, Everyman.

Everywoman opens on the Regent stage on Friday, Feb. 22.

Confronted with the character of death, talk show host Eve Bas encounters the fight of her life as she is forced to examine the choices she's made. The play updates the late 15th-century English allegory, which personifies virtues and vices in a plainly dramatized sermon of sorts, and places it in the fast-paced 21st-century world of broadcast television.

"There's something about the search for immortality that prompted the original play Everyman to be written," said Elvgren, also the play's director. "It examines how we as a culture view and face death. We go to extraordinary lengths to try to avoid or deny it."

Everywoman runs Feb. 22-24 and Feb. 28 - March 3 in the Studio Theatre, located in Regent's Performing Arts Center. Afternoon and evening show times are available.

Purchase tickets through the Box Office.

Elvgren's choice to modernize Everyman stems from his view of contemporary information. "We're inundated with words and language and almost too much information," he said. "I wanted to create a character who represents that. Eve goes through the process of stripping herself of the noise of contemporary culture."

A serious subject, no doubt, but Elvgren chose humor to make his point. "Death rides up on a motorcycle wearing a helmet and chains and says, 'Your time is up; get your house in order.' That creates right there the striking reality of the piece," he described.

The show features moments of standup comedy, courtroom drama, rap and blues music, and even a clown show. "I'm trying to strike visual images that will alarm and captivate and challenge expectations," he said.

Elvgren's target audience is faith-based, as the play creates theatrical metaphors that challenge Christians to look at culture and religion differently. "As a Christian artist, I'm always challenged to see what metaphors and images and actions I can come up with that are going to make the audience see themselves or get outraged in a way they haven't before," he explained.

Purchase tickets to Everywoman.

PR/NEWS CONTACT:
Mindy Hughes, Public Relations
Phone: 757.352.4095 Fax: 757.352.4888
E-mail: mhughes@regent.edu