Tony Hale brings insight and encouragement

Recently, our theater community was visited by alumnus actor Tony Hale '95 (Com/Arts). Tony is perhaps best known for his role as Buster Bluth on Arrested Development, but he’s also appeared in the movies Because I Said So, RV, Stranger than Fiction and The Tale of Despereaux. His upcoming projects include the movies Happythankyoumoreplease and Not That Funny, as well as an ABC pilot titled Awkward Situations for Men.

Despite his impressive Hollywood resume, Tony came across as very down-to-earth and honest, willing to share his personal stories and to invest in the lives of current Regent students. During a question-and-answer session, Hale shared his own experiences with the ups and downs of the audition process, and the inevitable rejection that accompanies the life of any actor. "It's very difficult not to take it personally," he told the audience. "It's gonna be a roller coaster. It might not end up how you think it's going to end up, but it's going to be okay."

Several fortunate students were given the opportunity to set up one-on-one coaching sessions, and the feedback was overwhelmingly positive. Here’s what some of our students had to say about Tony:

“I’m thankful Tony took the time to speak with each of us - it was an absolute pleasure. He also specifically addressed the conundrum of being Actors who are Christians without being Christian-Actors. This is my first time ever on a Christian campus and I'm finding the juxtaposition of our faith and our field an interesting one. A lot of us needed to hear that acting / performing is messy and dirty; it just is - and that to present the truth, we can't be afraid of that.” - Ashley Manning, first year MFA

“Tony’s insight and encouragement was invaluable!” - Michael McLendon, first year MFA

“I appreciated Tony’s candor and caution concerning Hollywood’s tendency to make empty promises and his advice to make sure your agent really knows you.”
Emily Fazakerley – Regent University Employee

“Tony is proof that it's possible to make it in this business while maintaining integrity, discernment, and humility.” - Katie Fridsma, MFA graduate

We look forward to having Tony visit us again in the future!

Recent MFA Grad Wows Williamsburg

Rob Arbaugh, MFA class of 2010, has spent his summer thus far in Williamsburg at the well-known Virginia Shakespeare Festival, playing Orlando in As You Like It, and Roper in Man for All Seasons.

Click here and here for two reviews about his work in As You Like It.

There's still one more weekend to catch Rob in Man for All Seasons, running through August 1st. Click here for show and ticket information!

Godspell gets a rave review from Veer Magazine

Click here to read the review of our 2009/2010 Season closer!

Don't miss Godspell!

Regent Theatre is capping off our 2009/2010 season with an exciting, innovative production of Godspell, directed by the Theatre Department Chair, Eric Harrell. Read his Director's Notes below for a sneak peek into our upcoming production. The show runs April 23-May 2. Remember that during the first weekend, we're offering a special price of $10 a ticket for church groups of 10 people for more. Call the box office for tickets or more information: 757-352-4245. See you at the theatre!

"Whether you are a Godspell enthusiast or a first-timer, there is one thing we all have in common: this is the first time you’ve seen Godspell told quite like this. But that is, after all, one of the most compelling aspects of this show – every production is entirely unique. The creators of Godspell give full license to each company to make their own creative mark on the piece. I’ve heard of Godspell productions developed around popular TV shows and even one set in a McDonalds! Sorry folks, no American Idol or Quarter Pounders here tonight.
 
During my directing research, I was struck by two things that inspired the writing team of Godspell. The first was their desire to illuminate the inherent joy in the Gospel story, reminding audiences that the discipleship of Christ was not meant to create a dour life but one of joyous redemption. The second was the power of Christ’s teachings to unify disparate individuals into a fully functioning community of believers. As I focused on these two elements, I arrived in the world of our production: a global playscape, a joyous world where the discipleship of Christ builds trans-ethnic community.
 
As each company member represents a unique, international culture, they explore the teachings of Christ through a multi-cultural lens: African tribal dance, Indian Shadow Theatre, the Noh Theatre of Japan, Native American folklore, even vaudeville and sketch comedy. Parts of the opening number have been translated into seven different languages. The result is a testament to the power of Christ’s teachings to transcend cultural and racial boundaries. However, transcending ethnicity does not negate our unique cultural heritages; in fact, the body of Christ is enriched as the teachings of Jesus are applied through multi-cultural understanding and respect for our inherent differences. By the beginning of Act Two our company has learned this important lesson, and they unify their storytelling to unfold a simple yet stirring interpretation of the Passion narrative.
 
As a Christian artist and story-teller, the parables of Christ have been foundational in my both my faith and artistry. Having the opportunity to explore them in a new way for our production of Godspell has been a rewarding journey. I pray you rediscover the joy of the Gospel story - and the power of the master storyteller."

Blog Reflection on Original Work, "Disorientation of Butterflies"

As part of what we call our Secondstage Season, the Regent Theatre Department has several openings each semester for a lab show--a production entirely put on by the students. (For more information about lab shows, click here!) Our most recent lab show was the original full-length musical "Disorientation of Butterflies," written by 3rd year MFA Acting student Alaska Reece Vance, composed by 2nd year MFA Acting student Nathan Schmidt, and directed by 1st year MFA Acting student Whitney Rappana. The cast was made up of several MFA and BA students, as well as a graduated MFA Acting student and an incoming MFA in Acting student. Click here to read a reflection on the show from a theological perspective, written by Regent's own academic advisor, Michael Difuccia.

Harmony Meets Hurricane of Personalities in You Can't Take It With You

By Sarah H. Dolan

Home décor speaks volumes about the personal lives of those who inhabit the home. Grandpa Martin Vanderhoff's home, as portrayed through the set of Regent University Theatre's production of You Can't Take It With You, is eccentric, vibrant and quirky. Bright green walls are full of mismatched photographs, a deer head and gun. Romantic play scripts flower the living room, and snakes inhabit the room's corner comfortably next to the family xylophone.

It is there that the radically diverse Vanderhoff family lives and functions as one disheveled unit. Residing with Grandpa is his daughter Penelope Sycamore, a happy, unpublished playwright; her husband Paul, whose hobby is making fireworks in the cellar; their daughter Essie, a ballerina with two left feet who is married to Ed, a printer who plays the xylophone; and their other daughter Alice, a Wall Street secretary.

"These characters in the play—a family of lovable, innocent, but wacky nonconformists—are joyous examples of faith," said MFA Student Ryan Clemens, the director. "[Teaching life lessons] in a Frank Capra comedic sort of way. They live, they love and they laugh. They thank God for family, health, and all the fun one can find in life!"

Yet the family's idea of normalcy is challenged when Alice is betrothed to Tony Kirby, a businessman from a straight-laced family. When the Kirby and Vanderhoff families collide, the resulting chaos creates a near-literal hurricane of eccentric personalities with Alice and Tony caught in the middle. To worsen the situation, other offbeat characters are introduced to the household as the play unfolds.

"We've had particular fun finding the right balance of silly truthfulness with this cast of characters," Clemens said. "Included among our lovable lot of personalities are a boisterous Russian immigrant and a gin-soaked dramatist ... just to name a few. In Regent's casting quest to find that balance of lunacy and veracity, we created 'The Farm Fresh [grocery store] test.' In other words, 'if you saw one of these characters at Farm Fresh buying cereal, would you believe they were real?'"

Regent's rendition of You Can't Take It With You uses the artistically expressed merriment of the Vanderhoff family to illustrate individuals coming together to form community. The result is a loud mix of song, dance, poetry, painting and fireworks—all at once. But when the dust settles the audience sees a harmony and beauty in this kind of lifestyle, which Grandpa notes is easy to forget.

The production continues Thursday, March 18 - Saturday, March 20 at 8:00 p.m., and Saturday, March 20 - Sunday, March 21 at 3:00 p.m.

For tickets and more information, visit www.regent.edu/theatre.

Director's Notes for You Can't Take It With You!

For our production of Kaufman and Hart's popular comedy, You Can't Take It With You, we welcome third-year MFA in Acting student Ryan Clemens as our student director. Ryan is in the direction concentration of our MFA Acting program and has been seen on our mainstage playing Petkoff in Arms and the Man, Strauss in Spinning Into Butter, O’Reilly in Musical Comedy Murders, Mrs. Chauvenet in Harvey, Arnold in The Boys Next Door (thesis role), and most recently as Touchstone the clown in As You Like It. A true connoisseur of comedy, here are Ryan's notes about his production of You Can't Take It With You, opening this weekend:

"The old saying is true: you never see a U-Haul behind a hearse because. . . you can’t take it with you!

Yet our play’s title is more than a punch line. It’s a bit of age-old advice to put in your pocket and take home.

Some take the sentiment as a justification for hedonism, indulgence and greed—as in the remark, 'Well, you can’t take it with you, so let’s spend it all and PARTY!' but through Kaufmann and Hart’s classic comedy we see the motto 'You Can’t Take It With You' as something very different. When first produced in 1936, the play and its title projected a heart-felt optimism, calling out to a nation worn down by the Great Depression. Now that we’re in 2010, with our current economic situation. . . well, it turns out that heart-felt optimism is still particularly relevant.

From a Christian perspective, we also note that the message is rather similar to Paul’s in his first letter to Timothy: a reminder that we brought nothing into this world; we can take nothing out of it. So, as long as we have food and shelter, shouldn’t we also have joy, laughter and celebration? Shouldn’t we also have prayers of thanks to the Man Upstairs, the Keeper of the Lilies of the Field, the Giver of All Good Things?!

We hope that, like Grandpa Vanderhof, you’ll also find joy, laughter, celebration, and lots of reason for praise—both in today’s presentation and in your own life. From our loony and loving family to yours, we say, enjoy!"

Don't miss this show, which runs through March 21st! Call the box office at 757-352-4245 or visit our website for tickets.

Recruiting for our MFA Program in CA and at SETC this week!

This Saturday, Head of the MFA program Dr. Michael Kirkland will be at Vanguard University in Los Angeles auditioning actors for our incoming MFA program.

Next, Michael--along with our Artist in Residence Mark Paladini and Professor Scott Hayes--will be at SETC in Lexington, KY March 5-6 auditioning actors from all over the country for our next MFA Acting class.

If you're planning to be in SETC or Los Angeles this week--or know some actors who are--make sure you/they stop by and chat with our professors!

Also, check out our professors' workshops/presentations at SETC on Thursday, March 4:
-Noon-1pm: Scott Hayes will be presenting on his innovative directing concept involving twitter and other current technology for our recent production of As You Like It.
-4:00-5:30pm: Michael and Mark will be talking about being a Christian in the arts.
-8:30-9:30pm: Mark is teaching a workshop on physical comedy
-Also, keep your eyes peeled for Dr. Kirkland's stage combat workshops!

There are 3 remaining locations for our MFA auditions:
Feb. 27, 2010 –Vanguard University, Los Angeles, CA
March 5-6, 2010 – SETC Spring Convention, Lexington, KY
March 12, 2010 –Preview Weekend, Regent Univ., Virginia Beach, VA

To schedule an audition at any of these sites, contact Jennifer Martin at 757-352-4228 or email auditions@regent.edu.

What’s it like to audition for Regent’s MFA in Acting program? We like to think we have an edge up on other auditions. When asking some current students to describe what their audition experience for Regent was like, we got an overwhelming response! Read on!

“I can tell you that the reason I chose Regent was in large part because of my audition experience. I auditioned for a number of MFA programs, but in the Regent audition I met someone unique: a faculty member who took an honest interest in me and my ambitions. It was that genuine kindness and connection that got me thinking about Regent, and its that same spirit that has made my years here extraordinary.” –Ryan Clemens, 3rd year MFA student

“My audition for Eric Harrell in Chicago was the only grad school audition where I walked in and felt completely comfortable. Upon walking through the door, I immediately knew that Regent was a school where the professors both cared about their students and wanted them to excel. The rest of that audition and my three years at Regent have proved that theory to be true.” -Rob Arbaugh, 3rd year MFA student

“I had never heard of Regent before, but when I was in Chicago for the URTAs and noticed Regent was auditioning in the same hotel, I was immediately impressed by Eric's friendliness and warmth. He was very attentive as well as professional. I soon realized that not only was this a high quality program committed to an excellent MFA education, but also that if the rest of the people at this university were anything like Eric, they were real and down-to-earth, and truly cared about you and your future.” -Katie Cheely, 3rd year MFA student

“My audition for Regent was like a breath of fresh air. URTAs had been expensive and stressful. Mark came in to my audition in California, treated me like a human, not a number, and we talked like human beings. I felt like I was doing my audition for someone who already believed in me and what I could do.” -Jeff Fazakerley, 1st year MFA student

“When I came to the Spring Preview Weekend at Regent to audition for the MFA program, I was incredibly nervous! I had little reason to worry though, as the professors were extremely welcoming and friendly. They didn’t just shuffle people through the stereotypical cattle call; they actually took the time to see how I responded to direction, even going so far as to provide me with the opportunity to experiment with stretching my range on one of my selected pieces. They even listened to my story about how God had led me to Regent. I don’t know if I’ve ever had a better experience during an audition!” -Zachary L. Bortot, 1st year MFA student

“What I loved about my audition was that the door opened right before I knocked because Eric was expecting me! It was probably one of the most comfortable audition experiences because I didn't feel like I was being put under a microscope; instead it was one person genuinely getting to know me through my creative talents.” -Anna Koehler, 3rd year MFA student

“I auditioned for Regent in Chicago last year, and what was scheduled to have been a twenty-minute appointment morphed into an hour-and-fifteen-minutes, as Eric graciously talked with me through his own scheduled lunch hour. My first surprise came when he actually took time to work my audition piece, not once but two or three times, to document not only my current capabilities but my ability to take direction. Our conversation remained customized to my personal goals and ambitions as an older, non-traditional student, and Eric answered my many questions and concerns with care, understanding, and an obviously thorough regard for what Regent would and would not offer me personally.” -Mike Salsbury, 1st year MFA student

“Right from the start I knew that auditioning for Regent University was different than any other institution. The process was comfortable, I felt like they truly cared about my audition, and Prof. Harrell seemed so incredibly passionate about Regent's unique mission that it instantly made me want to be a part of it. Once I was accepted I have never looked back. Regent University's MFA program is incredibly well-rounded and challenges you to live up to your highest potential as a theatre artist. The professors here truly care about each individual from the moment they audition to far beyond graduation.” –Britain Willcock, 1st year MFA student

Reflections from the Cast of "The Elephant Man"

“One thing I learned from John Merrick was how his experience of pain generated in him an incredible desire for something transcendental. St. Phillip’s is a symbol of eternal beauty, and heaven is where the crooked shall be made straight. There is a spiritual blessing in playing Merrick in that I am reminded of my own complacency. If somehow the deep cry of 'Thy will be done on earth as it is in heaven' is no longer in me, I am in danger of not living life as it is intended to be.” -Shinn-Rong Chung, 3rd year MFA student (John Merrick, thesis role).

“I feel very blessed to have been a part of such a wonderful and memorable production. I think we all were very disappointed to have to end the show early due to the snow storm. I heard from many people that they thought Elephant Man was perhaps one of the best shows Regent has ever done--high praise indeed. Everyone in the cast was so talented and suited to their parts. As a Pinhead and Nurse Sandwich, I got to explore two very different characters. The challenge was fun and exciting. On the one hand I got to experience a completely child-like side, which was a lot of fun. Then as Nurse Sandwich I had to become a stern, no-nonsense rock of a woman. The challenge added to the excitement. And I loved having to do quick-changes. During our final dress rehearsal I forgot to take my pin-head shoes off (which happened to be ballet toe shoes) when I went on as Nurse Sandwich. I wondered as I ran to my place why my skirt was feeling longer than normal. I didn't realize till I was entering in the dark, 'I've still got my toe shoes on!' I quickly debated whether it was better to wear toe shoes, or no shoes. I decided toe shoes. After that I was reminded each day by the ladies in my dressing room to change my shoes! All-in-all… The Elephant Man is one show I won't soon forget.” -Sharon Eyster, 2nd year MFA student (Nurse Sandwich and Pinhead)

“Working on Elephant Man was an amazing experience. Every moment of the rehearsal process, I felt like I was in the presence of master craftsmen - highly focused, intent on every detail, and determined to produce a polished jewel of a production. It was such a privilege to work with Dr. Kirkland, and to support Shinn and Brad in their thesis roles. As I journeyed with Mrs. Kendal on her path from external facade to internal truth, I also made discoveries about my own truth as an actor, and about how genuine human connection onstage can touch an audience like nothing else can.” –Amy Dunlap, 1st year MFA student (Mrs. Kendal)

“Working on The Elephant Man was a particularly thought-provoking experience. The process of building these characters to most effectively convey the message of this piece took a great deal of focus and patience. Dr. Kirkland's commitment to precision was complimented by Shinn and Brad's diligence in their leading roles as well as the work of the supporting cast. The overwhelmingly positive response from the few audiences that saw our show made the weeks of tireless rehearsing all worth it. It was one of the most complete shows I've been a part of.” –Andy Geffken, 2nd year MFA student (Carr Gomm)

Regent MFA Auditions in Chicago This Weekend!

This weekend, Department Chair Eric Harrell will be in Chicago auditioning actors from all over the country for our next MFA Acting class. If you're planning to be in Chicago this weekend or know some actors who are, make sure you/they stop by and chat with Eric! There are 4 remaining locations for our MFA auditions:

Jan 31-Feb 1, 2010 – Midwest Auditions, Palmer House Hilton, Chicago, IL
Feb. 27, 2010 –Vanguard University, Los Angeles, CA
March 5-6, 2010 – SETC Spring Convention, Lexington, KY
March 12, 2010 –Preview Weekend, Regent Univ., Virginia Beach, VA

To schedule an audition at any of these sites, contact Jennifer Jackson at 757-352-4228 or email auditions@regent.edu.

What’s it like to audition for Regent’s MFA in Acting program? We like to think we have an edge up on other auditions. When asking some current students to describe what their audition experience for Regent was like, we got an overwhelming response! Read on!

“I can tell you that the reason I chose Regent was in large part because of my audition experience. I auditioned for a number of MFA programs, but in the Regent audition I met someone unique: a faculty member who took an honest interest in me and my ambitions. It was that genuine kindness and connection that got me thinking about Regent, and its that same spirit that has made my years here extraordinary.” –Ryan Clemens, 3rd year MFA student

“My audition for Eric Harrell in Chicago was the only grad school audition where I walked in and felt completely comfortable. Upon walking through the door, I immediately knew that Regent was a school where the professors both cared about their students and wanted them to excel. The rest of that audition and my three years at Regent have proved that theory to be true.” -Rob Arbaugh, 3rd year MFA student

“I had never heard of Regent before, but when I was in Chicago for the URTAs and noticed Regent was auditioning in the same hotel, I was immediately impressed by Eric's friendliness and warmth. He was very attentive as well as professional. I soon realized that not only was this a high quality program committed to an excellent MFA education, but also that if the rest of the people at this university were anything like Eric, they were real and down-to-earth, and truly cared about you and your future.” -Katie Cheely, 3rd year MFA student

“My audition for Regent was like a breath of fresh air. URTAs had been expensive and stressful. Mark came in to my audition in California, treated me like a human, not a number, and we talked like human beings. I felt like I was doing my audition for someone who already believed in me and what I could do.” -Jeff Fazakerley, 1st year MFA student

“When I came to the Spring Preview Weekend at Regent to audition for the MFA program, I was incredibly nervous! I had little reason to worry though, as the professors were extremely welcoming and friendly. They didn’t just shuffle people through the stereotypical cattle call; they actually took the time to see how I responded to direction, even going so far as to provide me with the opportunity to experiment with stretching my range on one of my selected pieces. They even listened to my story about how God had led me to Regent. I don’t know if I’ve ever had a better experience during an audition!” -Zachary L. Bortot, 1st year MFA student

“What I loved about my audition was that the door opened right before I knocked because Eric was expecting me! It was probably one of the most comfortable audition experiences because I didn't feel like I was being put under a microscope; instead it was one person genuinely getting to know me through my creative talents.” -Anna Koehler, 3rd year MFA student

“I auditioned for Regent in Chicago last year, and what was scheduled to have been a twenty-minute appointment morphed into an hour-and-fifteen-minutes, as Eric graciously talked with me through his own scheduled lunch hour. My first surprise came when he actually took time to work my audition piece, not once but two or three times, to document not only my current capabilities but my ability to take direction. Our conversation remained customized to my personal goals and ambitions as an older, non-traditional student, and Eric answered my many questions and concerns with care, understanding, and an obviously thorough regard for what Regent would and would not offer me personally.” -Mike Salsbury, 1st year MFA student

“Right from the start I knew that auditioning for Regent University was different than any other institution. The process was comfortable, I felt like they truly cared about my audition, and Prof. Harrell seemed so incredibly passionate about Regent's unique mission that it instantly made me want to be a part of it. Once I was accepted I have never looked back. Regent University's MFA program is incredibly well-rounded and challenges you to live up to your highest potential as a theatre artist. The professors here truly care about each individual from the moment they audition to far beyond graduation.” –Britain Willcock, 1st year MFA student