Harmony Meets Hurricane of Personalities in You Can't Take It With You

By Sarah H. Dolan

Home décor speaks volumes about the personal lives of those who inhabit the home. Grandpa Martin Vanderhoff's home, as portrayed through the set of Regent University Theatre's production of You Can't Take It With You, is eccentric, vibrant and quirky. Bright green walls are full of mismatched photographs, a deer head and gun. Romantic play scripts flower the living room, and snakes inhabit the room's corner comfortably next to the family xylophone.

It is there that the radically diverse Vanderhoff family lives and functions as one disheveled unit. Residing with Grandpa is his daughter Penelope Sycamore, a happy, unpublished playwright; her husband Paul, whose hobby is making fireworks in the cellar; their daughter Essie, a ballerina with two left feet who is married to Ed, a printer who plays the xylophone; and their other daughter Alice, a Wall Street secretary.

"These characters in the play—a family of lovable, innocent, but wacky nonconformists—are joyous examples of faith," said MFA Student Ryan Clemens, the director. "[Teaching life lessons] in a Frank Capra comedic sort of way. They live, they love and they laugh. They thank God for family, health, and all the fun one can find in life!"

Yet the family's idea of normalcy is challenged when Alice is betrothed to Tony Kirby, a businessman from a straight-laced family. When the Kirby and Vanderhoff families collide, the resulting chaos creates a near-literal hurricane of eccentric personalities with Alice and Tony caught in the middle. To worsen the situation, other offbeat characters are introduced to the household as the play unfolds.

"We've had particular fun finding the right balance of silly truthfulness with this cast of characters," Clemens said. "Included among our lovable lot of personalities are a boisterous Russian immigrant and a gin-soaked dramatist ... just to name a few. In Regent's casting quest to find that balance of lunacy and veracity, we created 'The Farm Fresh [grocery store] test.' In other words, 'if you saw one of these characters at Farm Fresh buying cereal, would you believe they were real?'"

Regent's rendition of You Can't Take It With You uses the artistically expressed merriment of the Vanderhoff family to illustrate individuals coming together to form community. The result is a loud mix of song, dance, poetry, painting and fireworks—all at once. But when the dust settles the audience sees a harmony and beauty in this kind of lifestyle, which Grandpa notes is easy to forget.

The production continues Thursday, March 18 - Saturday, March 20 at 8:00 p.m., and Saturday, March 20 - Sunday, March 21 at 3:00 p.m.

For tickets and more information, visit www.regent.edu/theatre.

Director's Notes for You Can't Take It With You!

For our production of Kaufman and Hart's popular comedy, You Can't Take It With You, we welcome third-year MFA in Acting student Ryan Clemens as our student director. Ryan is in the direction concentration of our MFA Acting program and has been seen on our mainstage playing Petkoff in Arms and the Man, Strauss in Spinning Into Butter, O’Reilly in Musical Comedy Murders, Mrs. Chauvenet in Harvey, Arnold in The Boys Next Door (thesis role), and most recently as Touchstone the clown in As You Like It. A true connoisseur of comedy, here are Ryan's notes about his production of You Can't Take It With You, opening this weekend:

"The old saying is true: you never see a U-Haul behind a hearse because. . . you can’t take it with you!

Yet our play’s title is more than a punch line. It’s a bit of age-old advice to put in your pocket and take home.

Some take the sentiment as a justification for hedonism, indulgence and greed—as in the remark, 'Well, you can’t take it with you, so let’s spend it all and PARTY!' but through Kaufmann and Hart’s classic comedy we see the motto 'You Can’t Take It With You' as something very different. When first produced in 1936, the play and its title projected a heart-felt optimism, calling out to a nation worn down by the Great Depression. Now that we’re in 2010, with our current economic situation. . . well, it turns out that heart-felt optimism is still particularly relevant.

From a Christian perspective, we also note that the message is rather similar to Paul’s in his first letter to Timothy: a reminder that we brought nothing into this world; we can take nothing out of it. So, as long as we have food and shelter, shouldn’t we also have joy, laughter and celebration? Shouldn’t we also have prayers of thanks to the Man Upstairs, the Keeper of the Lilies of the Field, the Giver of All Good Things?!

We hope that, like Grandpa Vanderhof, you’ll also find joy, laughter, celebration, and lots of reason for praise—both in today’s presentation and in your own life. From our loony and loving family to yours, we say, enjoy!"

Don't miss this show, which runs through March 21st! Call the box office at 757-352-4245 or visit our website for tickets.

Recruiting for our MFA Program in CA and at SETC this week!

This Saturday, Head of the MFA program Dr. Michael Kirkland will be at Vanguard University in Los Angeles auditioning actors for our incoming MFA program.

Next, Michael--along with our Artist in Residence Mark Paladini and Professor Scott Hayes--will be at SETC in Lexington, KY March 5-6 auditioning actors from all over the country for our next MFA Acting class.

If you're planning to be in SETC or Los Angeles this week--or know some actors who are--make sure you/they stop by and chat with our professors!

Also, check out our professors' workshops/presentations at SETC on Thursday, March 4:
-Noon-1pm: Scott Hayes will be presenting on his innovative directing concept involving twitter and other current technology for our recent production of As You Like It.
-4:00-5:30pm: Michael and Mark will be talking about being a Christian in the arts.
-8:30-9:30pm: Mark is teaching a workshop on physical comedy
-Also, keep your eyes peeled for Dr. Kirkland's stage combat workshops!

There are 3 remaining locations for our MFA auditions:
Feb. 27, 2010 –Vanguard University, Los Angeles, CA
March 5-6, 2010 – SETC Spring Convention, Lexington, KY
March 12, 2010 –Preview Weekend, Regent Univ., Virginia Beach, VA

To schedule an audition at any of these sites, contact Jennifer Martin at 757-352-4228 or email auditions@regent.edu.

What’s it like to audition for Regent’s MFA in Acting program? We like to think we have an edge up on other auditions. When asking some current students to describe what their audition experience for Regent was like, we got an overwhelming response! Read on!

“I can tell you that the reason I chose Regent was in large part because of my audition experience. I auditioned for a number of MFA programs, but in the Regent audition I met someone unique: a faculty member who took an honest interest in me and my ambitions. It was that genuine kindness and connection that got me thinking about Regent, and its that same spirit that has made my years here extraordinary.” –Ryan Clemens, 3rd year MFA student

“My audition for Eric Harrell in Chicago was the only grad school audition where I walked in and felt completely comfortable. Upon walking through the door, I immediately knew that Regent was a school where the professors both cared about their students and wanted them to excel. The rest of that audition and my three years at Regent have proved that theory to be true.” -Rob Arbaugh, 3rd year MFA student

“I had never heard of Regent before, but when I was in Chicago for the URTAs and noticed Regent was auditioning in the same hotel, I was immediately impressed by Eric's friendliness and warmth. He was very attentive as well as professional. I soon realized that not only was this a high quality program committed to an excellent MFA education, but also that if the rest of the people at this university were anything like Eric, they were real and down-to-earth, and truly cared about you and your future.” -Katie Cheely, 3rd year MFA student

“My audition for Regent was like a breath of fresh air. URTAs had been expensive and stressful. Mark came in to my audition in California, treated me like a human, not a number, and we talked like human beings. I felt like I was doing my audition for someone who already believed in me and what I could do.” -Jeff Fazakerley, 1st year MFA student

“When I came to the Spring Preview Weekend at Regent to audition for the MFA program, I was incredibly nervous! I had little reason to worry though, as the professors were extremely welcoming and friendly. They didn’t just shuffle people through the stereotypical cattle call; they actually took the time to see how I responded to direction, even going so far as to provide me with the opportunity to experiment with stretching my range on one of my selected pieces. They even listened to my story about how God had led me to Regent. I don’t know if I’ve ever had a better experience during an audition!” -Zachary L. Bortot, 1st year MFA student

“What I loved about my audition was that the door opened right before I knocked because Eric was expecting me! It was probably one of the most comfortable audition experiences because I didn't feel like I was being put under a microscope; instead it was one person genuinely getting to know me through my creative talents.” -Anna Koehler, 3rd year MFA student

“I auditioned for Regent in Chicago last year, and what was scheduled to have been a twenty-minute appointment morphed into an hour-and-fifteen-minutes, as Eric graciously talked with me through his own scheduled lunch hour. My first surprise came when he actually took time to work my audition piece, not once but two or three times, to document not only my current capabilities but my ability to take direction. Our conversation remained customized to my personal goals and ambitions as an older, non-traditional student, and Eric answered my many questions and concerns with care, understanding, and an obviously thorough regard for what Regent would and would not offer me personally.” -Mike Salsbury, 1st year MFA student

“Right from the start I knew that auditioning for Regent University was different than any other institution. The process was comfortable, I felt like they truly cared about my audition, and Prof. Harrell seemed so incredibly passionate about Regent's unique mission that it instantly made me want to be a part of it. Once I was accepted I have never looked back. Regent University's MFA program is incredibly well-rounded and challenges you to live up to your highest potential as a theatre artist. The professors here truly care about each individual from the moment they audition to far beyond graduation.” –Britain Willcock, 1st year MFA student

Reflections from the Cast of "The Elephant Man"

“One thing I learned from John Merrick was how his experience of pain generated in him an incredible desire for something transcendental. St. Phillip’s is a symbol of eternal beauty, and heaven is where the crooked shall be made straight. There is a spiritual blessing in playing Merrick in that I am reminded of my own complacency. If somehow the deep cry of 'Thy will be done on earth as it is in heaven' is no longer in me, I am in danger of not living life as it is intended to be.” -Shinn-Rong Chung, 3rd year MFA student (John Merrick, thesis role).

“I feel very blessed to have been a part of such a wonderful and memorable production. I think we all were very disappointed to have to end the show early due to the snow storm. I heard from many people that they thought Elephant Man was perhaps one of the best shows Regent has ever done--high praise indeed. Everyone in the cast was so talented and suited to their parts. As a Pinhead and Nurse Sandwich, I got to explore two very different characters. The challenge was fun and exciting. On the one hand I got to experience a completely child-like side, which was a lot of fun. Then as Nurse Sandwich I had to become a stern, no-nonsense rock of a woman. The challenge added to the excitement. And I loved having to do quick-changes. During our final dress rehearsal I forgot to take my pin-head shoes off (which happened to be ballet toe shoes) when I went on as Nurse Sandwich. I wondered as I ran to my place why my skirt was feeling longer than normal. I didn't realize till I was entering in the dark, 'I've still got my toe shoes on!' I quickly debated whether it was better to wear toe shoes, or no shoes. I decided toe shoes. After that I was reminded each day by the ladies in my dressing room to change my shoes! All-in-all… The Elephant Man is one show I won't soon forget.” -Sharon Eyster, 2nd year MFA student (Nurse Sandwich and Pinhead)

“Working on Elephant Man was an amazing experience. Every moment of the rehearsal process, I felt like I was in the presence of master craftsmen - highly focused, intent on every detail, and determined to produce a polished jewel of a production. It was such a privilege to work with Dr. Kirkland, and to support Shinn and Brad in their thesis roles. As I journeyed with Mrs. Kendal on her path from external facade to internal truth, I also made discoveries about my own truth as an actor, and about how genuine human connection onstage can touch an audience like nothing else can.” –Amy Dunlap, 1st year MFA student (Mrs. Kendal)

“Working on The Elephant Man was a particularly thought-provoking experience. The process of building these characters to most effectively convey the message of this piece took a great deal of focus and patience. Dr. Kirkland's commitment to precision was complimented by Shinn and Brad's diligence in their leading roles as well as the work of the supporting cast. The overwhelmingly positive response from the few audiences that saw our show made the weeks of tireless rehearsing all worth it. It was one of the most complete shows I've been a part of.” –Andy Geffken, 2nd year MFA student (Carr Gomm)

Regent MFA Auditions in Chicago This Weekend!

This weekend, Department Chair Eric Harrell will be in Chicago auditioning actors from all over the country for our next MFA Acting class. If you're planning to be in Chicago this weekend or know some actors who are, make sure you/they stop by and chat with Eric! There are 4 remaining locations for our MFA auditions:

Jan 31-Feb 1, 2010 – Midwest Auditions, Palmer House Hilton, Chicago, IL
Feb. 27, 2010 –Vanguard University, Los Angeles, CA
March 5-6, 2010 – SETC Spring Convention, Lexington, KY
March 12, 2010 –Preview Weekend, Regent Univ., Virginia Beach, VA

To schedule an audition at any of these sites, contact Jennifer Jackson at 757-352-4228 or email auditions@regent.edu.

What’s it like to audition for Regent’s MFA in Acting program? We like to think we have an edge up on other auditions. When asking some current students to describe what their audition experience for Regent was like, we got an overwhelming response! Read on!

“I can tell you that the reason I chose Regent was in large part because of my audition experience. I auditioned for a number of MFA programs, but in the Regent audition I met someone unique: a faculty member who took an honest interest in me and my ambitions. It was that genuine kindness and connection that got me thinking about Regent, and its that same spirit that has made my years here extraordinary.” –Ryan Clemens, 3rd year MFA student

“My audition for Eric Harrell in Chicago was the only grad school audition where I walked in and felt completely comfortable. Upon walking through the door, I immediately knew that Regent was a school where the professors both cared about their students and wanted them to excel. The rest of that audition and my three years at Regent have proved that theory to be true.” -Rob Arbaugh, 3rd year MFA student

“I had never heard of Regent before, but when I was in Chicago for the URTAs and noticed Regent was auditioning in the same hotel, I was immediately impressed by Eric's friendliness and warmth. He was very attentive as well as professional. I soon realized that not only was this a high quality program committed to an excellent MFA education, but also that if the rest of the people at this university were anything like Eric, they were real and down-to-earth, and truly cared about you and your future.” -Katie Cheely, 3rd year MFA student

“My audition for Regent was like a breath of fresh air. URTAs had been expensive and stressful. Mark came in to my audition in California, treated me like a human, not a number, and we talked like human beings. I felt like I was doing my audition for someone who already believed in me and what I could do.” -Jeff Fazakerley, 1st year MFA student

“When I came to the Spring Preview Weekend at Regent to audition for the MFA program, I was incredibly nervous! I had little reason to worry though, as the professors were extremely welcoming and friendly. They didn’t just shuffle people through the stereotypical cattle call; they actually took the time to see how I responded to direction, even going so far as to provide me with the opportunity to experiment with stretching my range on one of my selected pieces. They even listened to my story about how God had led me to Regent. I don’t know if I’ve ever had a better experience during an audition!” -Zachary L. Bortot, 1st year MFA student

“What I loved about my audition was that the door opened right before I knocked because Eric was expecting me! It was probably one of the most comfortable audition experiences because I didn't feel like I was being put under a microscope; instead it was one person genuinely getting to know me through my creative talents.” -Anna Koehler, 3rd year MFA student

“I auditioned for Regent in Chicago last year, and what was scheduled to have been a twenty-minute appointment morphed into an hour-and-fifteen-minutes, as Eric graciously talked with me through his own scheduled lunch hour. My first surprise came when he actually took time to work my audition piece, not once but two or three times, to document not only my current capabilities but my ability to take direction. Our conversation remained customized to my personal goals and ambitions as an older, non-traditional student, and Eric answered my many questions and concerns with care, understanding, and an obviously thorough regard for what Regent would and would not offer me personally.” -Mike Salsbury, 1st year MFA student

“Right from the start I knew that auditioning for Regent University was different than any other institution. The process was comfortable, I felt like they truly cared about my audition, and Prof. Harrell seemed so incredibly passionate about Regent's unique mission that it instantly made me want to be a part of it. Once I was accepted I have never looked back. Regent University's MFA program is incredibly well-rounded and challenges you to live up to your highest potential as a theatre artist. The professors here truly care about each individual from the moment they audition to far beyond graduation.” –Britain Willcock, 1st year MFA student

Regent's Production of The Elephant Man

Regent Theatre opened its production of Bernard Pomerance's The Elephant Man this past weekend to enthusiastic audience response. The production is especially thought-provoking, using elements from Brechtian theatre to tell the story. Keep reading for thoughts from director Michael Hill-Kirkland.

'I was first introduced to Joseph Merrick, the Elephant Man, in a 1980 production of Pomerance’s play at South Coast Repertory Theatre in Costa Mesa, CA. I was enthralled. Even as a young director, I recognized the fingerprints of Bertolt Brecht on Pomerance’s play. Brecht sought to deemphasize the audience’s tendency to identify with the feelings of a character. He sought to make the audience think rather than feel. Eventually, he came to believe that both thinking and feeling were not only complimentary but necessary. The question for Brecht became, “To what degree?” As I watched the play, I was struck by the fact that despite its episodic structure and use of dialogue voiced in past tense, devices Brecht utilized to achieve the verfremsdung (or alienation) effect, the play still landed with tremendous emotional gravitas; certainly affording as much emotional impact as social criticism. Like the characters in the play, we whisper to ourselves, “He is like me.” This irony only deepens when we realize that in seeing ourselves in Merrick we, in fact, normalize him; an act that robs him of his individuality. Pomerance is clearly commenting on society’s tendency to force square pegs into round holes. His depiction of Victorian society is one in which deformity is epidemic. You simply have to look a little harder to see it. And so it is with us. The moment sin entered the world we became “deformed,” and as Merrick states, it is only in heaven where the “crooked will be made straight.”

I went on to direct The Elephant Man in 1983. It was a very satisfying experience. However, I have no desire to repeat myself. Like Pomerance, I have taken my cue from Frederick Treves’ memoires, but with a twist. I approach the play not only as memory, but as dream. Like Merrick, Treves now seeks to lie down and, “sleep like other people.” His conscience has opened his eyes to his own deformities. Wealthy, respected, surgeon to the Prince of Wales—he cannot sleep. Morally adrift, he is in search of standards that will afford him peace. The poem Merrick often used to end his letters has taken root in the recesses of his mind and, just like Merrick was beaten in the Leicester workhouse, Treves’ own conscience now beats him like a drum, “boom, boom, boom, boom, boom, boom”,

‘Tis true my form is something odd,
But blaming me is blaming God.
Could I create myself anew,
I would not fail in pleasing you.
If I could reach from pole to pole,
Or grasp the ocean with a span,
I would be measured by the soul,
The mind’s the standard of the man.

Here then is the personal purgatory of Frederick Treves, where he seeks to reconcile his inner man with the outer man; where he is haunted by the childlike profundity of Merrick’s words,

“Sometimes I think my head is so big because it is so full of dreams.”

Michael Hill-Kirkland, Ph.D.'

The Elephant Man runs through January 31st. Call the box office at 757.352.4245 for tickets or visit www.regent.edu/theatre.

Recent Grad Encourages with L.A. Experience!

2009 MFA Acting graduate Christina Browder has been living and working in Los Angeles since graduating and has had a lot of success! In fact, she was just featured in a national Match.com commercial (click the link at the end of the post to see her!). Read on to see how she describes her experience thus far and what God has taught her during her time there.

‘I've heard people refer to Los Angeles as many things, one being "the city of dreams." I guess this statement is accurate (and enticing), as people everyday from around the world pack up their lives and move here to pursue...well...their dreams. From the time I was a little girl, I've had a dream to be a storyteller. Unfortunately, I have given up on that dream many times in my life (out of fear, lack of confidence, etc.) but God never gave up on me. So, on September 18, 2009, I found myself being one of those people...trekking across the country to the unknown. And I must say, it has been quite the adventure.

I remember one time, driving on the 101 Freeway through bumper to bumper, downtown, rush hour traffic and being completely overjoyed because... I was here. Or the time I was working background on Desperate Housewives, and in the middle of the scene, began to cry because... I was here. Or the first time I was able to pray for someone on a set, and being moved to...tears (you guessed it), because... I was here. I guess the overwhelming consensus is...I AM HERE!

And that statement has gotten me through some of the terribly challenging times, of not knowing exactly where I would live, or encountering obvious signs of darkness, or trying to start a career while paying back student loans, saving for new headshots, running around the city of L.A. to three auditions the same day...you know, the usual life of an actor.

I believe that God has me in L.A. for a bigger reason than I even realize. Yes, He has enabled me to be an actress and bring awesome stories to life, but He's also enabled me to see His love and grace in a way that I've never experienced before. And I truly believe He wants me to share that love, that life, and that grace with the inhabitants of this city. I am constantly humbled when an acting opportunity seemingly falls from the sky in my lap, yet encouraged when I remember that my life is in His hands. And although the opportunity manifested overnight, being prepared for that opportunity did not. So I am repeatedly inspired to study the craft when I'm not working, to pray when I don't feel like it, and to rejoice in ALL aspects of life when my mind wants to only be focused on "my career".

A couple things I've learned since being here:
1) God LOVES this city and He LOVES these people. I've encountered some of the most beautiful, intelligent, warm, and endearing people since being here. And that doesn't mean they are all Christians—some are searching, some are broken-hearted, some are running, some are hiding—but ALL are loved by God. And I try not to focus on the incredible darkness that is here, but on the incredible LIGHT! I think about the influence this city has and it makes sense why it is such a target of the enemy. It also makes sense why it has such a special place in God's heart.

2) It's sooooo much bigger than the career. I find that when I stop focusing constantly on the future and just enjoy where I am, things seem to happen. I'm too busy enjoying what God has done to complain about what He hasn't done. I must say this IS one of the bigger challenges in my life, yet so rewarding when I am able to rest in Him and trust that His timing is perfect!

3.) Everybody's path is different. This statement is especially apparent in the entertainment industry, as there is no "ONE" way. I try to focus on the unique path God has for me instead of comparing someone else's to mine. Comparing is exhausting and fruitless (I know, I speak from experience). It's better to just do what you can, incorporate YOUR strengths and celebrate YOUR successes.

As I type this, it's the new year, and I really do feel like a new person. I guess beginning a career in a new city makes you (hopefully) wiser and more appreciative of life. This year, I have an aim to enjoy God WHEREVER He is and celebrate each thing that happens in my life. By the way, I just got a manager and I thank God for her...we'll see what happens! : ) Thanks to everybody who took the time to read my first ever blog post!!

Muchas Bendiciones,

Christina Browder, MFA Acting, 2009.'

To watch Christina’s recent Match.com commercial, click here. We’re very proud of our graduates!

Upcoming Auditions for Regent’s MFA Program

The spring semester is underway and very soon our professors will be on the road, auditioning actors from all over the country for our next MFA Acting class. This year, auditions will be held at 5 locations:

Jan 22-23, 2010 – Texas Ed. Theatre Assoc., Hyatt Regency, Dallas, TX
Jan 31-Feb 1 – Midwest Auditions, Palmer House Hilton, Chicago, IL
Feb 27, 2010 –Vanguard University, Los Angeles, CA
March 5-6, 2010 – SETC Spring Convention, Lexington, KY
March 12, 2010 –Preview Weekend, Regent Univ., Virginia Beach, VA

To schedule an audition at any of these sites, contact Jennifer Martin at 757-352-4228 or email auditions@regent.edu. Click here for audition requirements.

What’s it like to audition for Regent’s MFA Acting program? We like to think we have an edge up on other auditions. When asking some current students to describe what their audition experience for Regent was like, we got an overwhelming response! Read on!

“I had never heard of Regent before, but when I was in Chicago for the URTAs and noticed Regent was auditioning in the same hotel, I was immediately impressed by Eric's friendliness and warmth. He was very attentive as well as professional. I soon realized that not only was this a high quality program committed to an excellent MFA education, but also that if the rest of the people at this university were anything like Eric, they were real and down-to-earth, and truly cared about you and your future.” -Katie Cheely, 3rd year MFA student

“My audition for Regent was like a breath of fresh air. URTAs had been expensive and stressful. Mark came in to my audition in California, treated me like a human, not a number, and we talked like human beings. I felt like I was doing my audition for someone who already believed in me and what I could do.” -Jeff Fazakerley, 1st year MFA student

“My audition for Eric Harrell in Chicago was the only grad school audition where I walked in and felt completely comfortable. Upon walking through the door, I immediately knew that Regent was a school where the professors both cared about their students and wanted them to excel. The rest of that audition and my three years at Regent have proved that theory to be true.” -Rob Arbaugh, 3rd year MFA student

“When I came to the Spring Preview Weekend at Regent to audition for the MFA program, I was incredibly nervous! I had little reason to worry though, as the professors were extremely welcoming and friendly. They didn’t just shuffle people through the stereotypical cattle call; they actually took the time to see how I responded to direction, even going so far as to provide me with the opportunity to experiment with stretching my range on one of my selected pieces. They even listened to my story about how God had led me to Regent. I don’t know if I’ve ever had a better experience during an audition!” -Zachary L. Bortot, 1st year MFA student

“What I loved about my audition was that the door opened right before I knocked because Eric was expecting me! It was probably one of the most comfortable audition experiences because I didn't feel like I was being put under a microscope; instead it was one person genuinely getting to know me through my creative talents.” -Anna Koehler, 3rd year MFA student

“I auditioned for Regent in Chicago last year, and what was scheduled to have been a twenty-minute appointment morphed into an hour-and-fifteen-minutes, as Eric graciously talked with me through his own scheduled lunch hour. My first surprise came when he actually took time to work my audition piece, not once but two or three times, to document not only my current capabilities but my ability to take direction. Our conversation remained customized to my personal goals and ambitions as an older, non-traditional student, and Eric answered my many questions and concerns with care, understanding, and an obviously thorough regard for what Regent would and would not offer me personally.” -Mike Salsbury, 1st year MFA student

“I can tell you that the reason I chose Regent was in large part because of my audition experience. I auditioned for a number of MFA programs, but in the Regent audition I met someone unique: a faculty member who took an honest interest in me and my ambitions. It was that genuine kindness and connection that got me thinking about Regent, and its that same spirit that has made my years here extraordinary.” –Ryan Clemens, 3rd year MFA student

“Right from the start I knew that auditioning for Regent University was different than any other institution. The process was comfortable, I felt like they truly cared about my audition, and Prof. Harrell seemed so incredibly passionate about Regent's unique mission that it instantly made me want to be a part of it. Once I was accepted I have never looked back. Regent University's MFA program is incredibly well-rounded and challenges you to live up to your highest potential as a theatre artist. The professors here truly care about each individual from the moment they audition to far beyond graduation.” –Britain Willcock, 1st year MFA student

Current Student Performing at Little Theatre of Norfolk

Join us in congratulating Senior BA: Theatre Arts student Courtney Coffey on her role of Libby in Neil Simon’s I Ought to Be in Pictures at the Little Theatre of Norfolk. The show opened January 8th and runs through the 24th. Already Courtney has recieved great reviews! Click here to read what one reviewer says about her performance. Then Click here for more information or to buy tickets. Break a leg, Courtney!

Some Alumni News!

MFA Acting alum Michael Woods has been working as an actor in Chicago since he graduated in 2008, and we've featured his recent accomplishments in our blog before. Click here to read the Daily Herald article about Ray Cooney's Out of Order, the production he is in currently, and see a picture of Michael in rehearsals. Out of Order opens this Thursday, Jan. 14 at the Metropolis Performing Arts Centre in Arlington Heights.